fade

swathe   »   lid   »   tranque   »   aire

Four long tracks of slow-motion, trance-inducing sound.
Gentle, distant rumblings.
Deep swells and slow simmers.

Mood musick for the space generation.

Samples & Reviews can be found here.

Available exclusively through the Hypnos Online Store or in Canada from PiNG THiNGS


Reviews:

"... here are a few of my thoughts. I like it! I grabbed it intending to listen to it late at night before bed with headphones on, and it's a nice, gentle way to drift off. The layers are soft, and the repetition is almost mesmerizing as they pulse in and out. The music practically breathes. My only criticism would be that the silent rests in ''Tranque'' struck me as being too long, and threw off the flowing rhythm of the rest of the album. It's still a very nice album to dream to, though."
— Robbie K.

"[The song ''Lid''] ...made me think [of] Steve Roach. The swells. The bell/hornish/breathing tones. An extremely nostalgic sound for me..."
— Chip Hart

"Sheer beauty, love every shift and turn, a masterpiece gentlemen!"
— Gordon Danis, Esq.

"Austere's "fade" — Austere is vunderful! Fade isn't very dark at all, but sooo beautiful ... easily my fav of theirs."
John Zorko of the ever amazing Falling You

"''fade'' - Wow, this could not be more different than "Monodia". "fade" is a suspension in warm vapor, with vague, half-realized rhythms and melodies, somewhat comparable to Jason Sloan's more formless tracks on "Still". Serene music for a cloudy morning. Time stands still here — or maybe more to the point, simply doesn't matter.
Joe R. on Hypnos Forums

"...particularly on the first track "swathe," they appear to have moved increasingly into pure drone waters... although recgognizable keyboard peals do creep in from time to time, most of this is a giant, wavelike drone that will make your speakers shudder. As with their previous efforts, the tracks flow into each other, so it's pretty much impossible to tell where one ends and the next begins; while the tracks are all similar in their bedrock style, they do each take on a different character, making them more like movements in a larger whole."
Dead Angel

"...this is closer to the minimal recordings of fellow ambient musicians like James Johnson, A Produce (his non-rhythmic side) and Stephen Philips. However, Austere carves out their own niche by suffusing the music with a unique organic unforced rhythm, which is accomplished through the almost breath-like rising and falling of the drone tones and washes of sound. [...] Never harsh or cold, even at its darkest, the music on fade (as with all the music from Austere I've heard) is created by artists who understand how to infuse ambient music with deep beauty and more humanity than you would think possible for this level of minimalism."
by Bill Binkleman, Wind and Wire magazine


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